Long Island Portfolio magazine publishers Alex M. Wolff and John Joseph Dowling, Jr. are thrilled to be able to support and showcase such great artists and their art in our first issue, Fall 2020. Enjoy the art and stories of Steven Calapai, Billy Mira, Maya Frank, Jeffrey Steele, EDward Steven Katz, Mike Gomes, Tony DeCaprio, Lenny Stucker, and our cover artist Robyn Bellospirito.
Long Island Portfolio magazine is on a mission to help artists of every kind promote themselves and their work from Montauk to Manhattan. We create great content to build and amplify artists social media presence. Nominate your favorite artist to be a Featured Artist and help improve their recognition and reach in our region.
In this issue we have painters, photographers, a jazz musician, country and rock singer song writer, and even stories around food, fashion, cars, cosplay and fantasy, with to poets!
Robyn: Yes. My favorite shoot with you was in the woods because we did four different photo shoots in one. I felt free to be whatever it was I was feeling in the moment. I brought several costume changes that were easy where I could just throw something on over what I was wearing and it totally transformed it. Not only was I free to express myself through movement ’cause I do dance and art modeling and I’ll work that into it.
One of the greatest things I can receive as an artist is freedom to express myself. It’s always easy to work with you because you’re always open to my ideas and I could just emote. When I saw the photographs afterward, I looked at what you saw and you captured the angles, the moments when it felt very intense and expressive for me, and you captured these beautifully. Sometimes you would give minimal guidance, like what we got from the fairy shot that turned that into such magic.
I didn’t know what you were seeing and when I saw the finished work …
you did Photoshop to it, the green one where I’m reaching out… I could not have done that work on my own. I can be on my end and do my part, but I that collaboration is necessary in order for me to gain something much greater than myself that I couldn’t have done on my own.
Alex: If you look at the different photos that we’ve got, they’re very, very different they don’t even look like they’re from the same shoot or same session. It’s almost like you changed costume then the whole world changed around you. You used the term transformation before and it was just an amazing thing for me to capture. Then there are limitations when you’re in nature about what’s there, so there has to be in my eyes a capture process and for me, the capture starts with capturing who you are at peak moments of emotion and then trying to enhance that to tell the story. So the collaboration is ongoing and it continues from the time we decided we’re going to do a shoot.
Sometime around 2008, the realization hit me fully and I changed my working title at Concierge Photography from Photographer to Photographic Artist (and added Director of Photography the last couple of years when I started directing photography and lighting for local indy director, Maria Sawoch Filipone). And the change came very suddenly. Typically, I endeavored to capture an image in the camera, and it either met my objective or it didn’t. I built up a small library of really good photographs, and a really large library of, to quote Agent 86, “Missed it by that much!”
One image convinced me to change from what I categorized as a Capture mindset to a Create mindset. Although it started as 2 images I took while running race committee for Sagamore Yacht Club in Oyster Bay, I saw potential for something better and I sat down in my first serious Photoshop session. About 9 hours later, I had created an image called Happy Fleet. I won’t bore you with the details, but the image Illustration of the Year for Professional Photographers of Greater New York, and Town of Oyster Bay People’s Choice Environmental Photo of the Year awards. It’s one of my bestselling artworks.
Yeah, that’s what I’m really proud of. It’s not a tribute band. I do a lot of cover music and I do it my way. I work a lot with Eric Schwartz and the people that have come on board with me, and help support the vision and really believe in what we’re doing. It’s something I’m very proud of, I’m sure in the history of entertainment there have been similar concepts, but as of right now there’s nothing like it, it is like a variety show. We come out, interact with the audience. One of the things I’m really proud of is it’s not a tribute show, it’s a tribute but in pieces, you know.
Alex: Well you play so many different genres and artists in a single show. You mentioned Eric Schwartz. He leads the horn section and horns really bring a lot of depth to any music and in some cases even leads in parts of the show.
Billy: Yeah, so, you know the greatest thing is that I can sit down for a couple minutes to do stand up. It’s not straight stand up. It’s not straight Impressions and all this and maybe some John Travolta and some David Lee Roth or an Ozzie Osbourne impression, but I can incorporate all of that stuff to introduce songs, and also with it telling the story of my life and what really turns me on as a performer, and I think it really comes out in the show.
Chefs create art for the eyes, nose, and tongue. Rightfully so, we have come to expect our food to look good, smell good and taste good. There are exceptions to the rule, […]
Known for a special quality of light especially on the East End, Long Island has always been home to great and famous artists. Some of those artists were born and raised here, others were transient, coming here seasonally for the light or social life. The Hamptons still host artists of all kinds.
I WANT THE COVER! Almost every call I pick up for Long Island Portfolio, from an artist or their agent, gallery owner, clothing designer or restaurant owner, starts with those words. I am not sorry to say, the cover is not for sale. Each issue of LI Portfolio is dedicated to timely themes. Art for the cover should be attention grabbing…